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The Pogues

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The Pogues
The Pogues performing in Munich in 2011. From left to right: Philip Chevron, James Fearnley, Andrew Ranken, Shane MacGowan, Darryl Hunt, Spider Stacy and Jem Finer.
The Pogues performing in Munich in 2011. From left to right: Philip Chevron, James Fearnley, Andrew Ranken, Shane MacGowan, Darryl Hunt, Spider Stacy and Jem Finer.
Background information
Also known asPogue Mahone (1982–1984)
OriginKing's Cross, London, England
Genres
Years active1982–1996, 2001–2014
Labels
Past members
Websitepogues.com

The Pogues were an English or Anglo-Irish[a] Celtic punk band fronted by Shane MacGowan and others, founded in King's Cross, London, in 1982,[1] as Pogue Mahone, an anglicisation of the Irish phrase póg mo thóin, meaning "kiss my arse". Initially poorly received in traditional Irish music circles—the celebrated musician Tommy Makem called them "the greatest disaster ever to hit Irish music"—the band were subsequently credited with reinvigorating the genre.[2] They later incorporated influences from other musical traditions, including jazz, flamenco, and Middle Eastern music.

Having gained a reputation for their energetic, raucous live shows,[2] the Pogues released their first studio album, Red Roses for Me, in 1984, featuring a mix of traditional Irish songs and original compositions by MacGowan. Their second album, Rum Sodomy & the Lash, produced by Elvis Costello, was released in August 1985. The Pogues collaborated with the Dubliners on a 1987 arrangement of the folk song "The Irish Rover", which reached number one in Ireland and number eight in the UK. Later that year, the Pogues' Christmas single "Fairytale of New York" reached number one in Ireland and number two in the UK. A duet with Kirsty MacColl, it features on the band's most critically acclaimed and commercially successful studio album, If I Should Fall from Grace with God (1988), and remains a perennial Christmas favorite in the UK and Ireland. The Pogues recorded two more albums with MacGowan—Peace and Love (1989) and Hell's Ditch (1990)—before sacking him during a 1991 tour as his drug and alcohol dependency increasingly affected their live performances.

The Pogues continued after MacGowan's departure, first with Joe Strummer and then longtime band member Spider Stacy as frontmen, releasing new material on Waiting for Herb (1993). They broke up following the critical and commercial failure of their seventh and last studio album, Pogue Mahone (1996).[3] The band—including MacGowan—re-formed in late 2001 and toured regularly in the UK and Ireland, also performing in the US and mainland Europe. Following the death of longtime guitarist Philip Chevron in October 2013, the band played their final live shows in summer 2014 before dissolving. Longtime bassist Darryl Hunt died in August 2022 and MacGowan died in November 2023. Remaining band members performed together for the first time since 2014 when they played "The Parting Glass" at MacGowan's funeral.

Band history

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Pre-Pogues years: 1977–1982

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The future members of the Pogues first met when MacGowan (vocals), Peter "Spider" Stacy (tin whistle), and Jem Finer (banjo) were together in an occasional band called The Millwall Chainsaws in the late 1970s after MacGowan and Stacy met in the toilets at a Ramones gig at The Roundhouse in London in 1977.[4] MacGowan was already with The Nips, though when they broke up in 1980 he concentrated more on Stacy's Millwall Chainsaws, who changed their name to The New Republicans.[citation needed]. Shane and Stacy performed their first gig as The New Republicans at Richard Strange's Cabaret Futura in London's Rupert Street Soho in the early months of 1981. Also on the bill that night were Soft Cell.

Early years: 1982–1986

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"Haunted"
Sample of Caitlín O'Riordan singing "Haunted" with the Pogues.
Problems playing this file? See media help.

In 1982, James Fearnley (accordion), who had been a guitarist with The Nips, joined MacGowan, Stacy, and Finer, forming the band, then known as Pogue Mahone. Fearnley notes that Stacy suggested the band's original name, taken from a sentence in James Joyce's Ulysses,[5] where the character Buck Mulligan exclaims: "Pogue mahone! Acushla machree! It’s destroyed we are from this day! It’s destroyed we are surely!"[6][7] "Pogue mahone" is an anglicisation of the Irish phrase póg mo thóin, meaning "kiss my arse".[8] The new group played their first gig at The Pindar of Wakefield on 4 October 1982.[9]

By their show on Friday 29 October 1982 at 100 Club in London, Cait O'Riordan (bass)[10] and John Hasler (drums)[11] had joined the band,[12] with Andrew Ranken replacing Hasler on drums in March 1983.[13] Pogue Mahone appeared on Thursday 3 November 1983 at Gossips in Dean Street Soho with Trash Trash Trash and The Stingrays.[citation needed]

The band played London pubs and clubs, and released a single, "Dark Streets of London", on their own, self-named label, gaining a small reputation – especially for their live performances, and national airplay on BBC Radio 1,[14] primarily on David Jensen's evening show. They came to the attention of the media and Stiff Records when they opened for The Clash on their 1984 tour.[3] Following complaints from a producer at BBC Radio Scotland about the band's name, Jensen began referring to the band on air as "The Pogues", which the band subsequently adopted as their name.[14] They released their first album, Red Roses for Me, on Stiff Records that October.

The band gained more attention when the UK Channel 4's music show The Tube made a video of their version of "Waxie's Dargle" for the show. The performance, featuring Spider Stacy repeatedly smashing himself over the head with a beer tray, became a favourite with the viewers, but Stiff Records refused to release it as a single, feeling it was too late for it to help Red Roses for Me. Nevertheless, it remained a favourite request for the show for many years.[citation needed]

With the aid of producer Elvis Costello, they recorded the follow-up, Rum Sodomy & the Lash, in 1985 during which time guitarist Philip Chevron joined. The album title is a famous comment falsely attributed to Winston Churchill who was supposedly describing the "true" traditions of the British Royal Navy.[15] The album cover featured The Raft of the Medusa, with the faces of the characters in Théodore Géricault's painting replaced with those of the band members. The album shows the band moving away from covers to original material. Shane MacGowan came into his own as a songwriter with this disc, offering up poetic storytelling, such as "The Sick Bed of Cúchulainn" and "The Old Main Drag", as well as definitive interpretations of Ewan MacColl's "Dirty Old Town" and Eric Bogle's "And the Band Played Waltzing Matilda" (this had previously been covered by Shane's fellow punk contemporaries Skids in 1981).

The band failed to take advantage of the momentum created by the strong artistic and commercial success of their second album. They first refused to record another album (offering up the four-track EP Poguetry in Motion instead); O'Riordan married Costello and left the band, to be replaced by bassist Darryl Hunt, formerly of Plummet Airlines and Pride of the Cross; and they added a multi-instrumentalist in Terry Woods, formerly of Steeleye Span. Looming over the band at this period (as throughout their entire career) was the increasingly erratic behaviour of their vocalist and principal songwriter, Shane MacGowan. Their record label, Stiff Records, went bankrupt soon after the 1987 release of the single "The Irish Rover" (with The Dubliners). Members of the band, including O'Riordan, acted in Alex Cox's Straight to Hell, and five songs by the band were included on the film's soundtrack album.

Mainstream success and break-up: 1987–1996

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The band remained stable enough to record If I Should Fall from Grace with God with its Christmas hit duet with Kirsty MacColl "Fairytale of New York". "Fairytale of New York" was released as a single in 1987 and reached No. 1 in the Irish charts and No. 2 in the British charts over Christmas (the time of peak sales). The song has become a festive classic in the UK and Ireland over the years, and was voted the best Christmas song of all time three years running in 2004,[16] 2005,[17] and 2006 in polls by music channel VH1 UK, despite not achieving Christmas Number One when it was released. It was also voted as the 27th greatest song never to reach UK#1 in another VH1 poll,[when?] and also voted as the 84th greatest song of all time by BBC Radio 2 listeners in the "Sold on Song" top 100 poll. In 2007 the record was briefly censored by the BBC because of the word "faggot" being deemed potentially offensive to homosexual people. Following protests from listeners, including the mother of Kirsty MacColl, the censorship was lifted.[18]

In 1989, the band released Peace and Love, a jazzier record featuring six tracks written by MacGowan, as well as eight tracks written by band members Jem Finer, Terry Woods, Andrew Ranken, and Philip Chevron. As Mark Deming wrote in AllMusic, "It does make clear that MacGowan was hardly the only talented songwriter in the band – though the fact that the set's most memorable songs were written by others did not bode well for the group's future."[19]

The band was at the peak of its commercial success, with both albums making the top 5 in the UK (numbers 3 and 5 respectively), but MacGowan was increasingly unreliable. He failed to turn up for the opening dates of their 1988 tour of America, and prevented the band from promoting their 1990 album Hell's Ditch, so in 1991 the band sacked him following a chaotic live performance at the WOMAD Festival held in Japan.[20][21][22] Vocal duties were for a time handled by Joe Strummer. Spider Stacy took over permanently after Strummer left in the winter of 1991. After Strummer's departure, the remaining seven Pogues recorded in 1993 Waiting for Herb, which contained the band's third and final top twenty single, "Tuesday Morning" which was written and sung by Spider Stacy.[23]

Terry Woods and James Fearnley subsequently left the band and were replaced by David Coulter and James McNally respectively. Within months of their departures, ill health forced Phil Chevron to leave the band; he was replaced by his former guitar technician, Jamie Clarke. This line-up recorded the band's seventh and final studio album, Pogue Mahone. The album was a commercial failure, and, following Jem Finer's decision to leave the band in 1996, the remaining members decided it was time to quit. According to Shane MacGowan, among the reasons of the break-up was disagreement concerning the political orientation of his songs, the band not wanting to sing too obvious pro-Republican songs[24] – though some of their previous songs were already politically engaged: for instance, Streams of Whiskey is about the poet and IRA member Brendan Behan. Soon after the break-up Shane MacGowan recorded a song titled Paddy Public Enemy Number One as a tribute to the Republican leader Dominic McGlinchey, a former leader of the INLA killed a few years before.

Post-breakup

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After the Pogues's break-up, the three remaining long-term members (Spider Stacy, Andrew Ranken and Darryl Hunt) played together briefly as The Vendettas. They played mainly new Stacy-penned tracks, though Darryl Hunt also contributed songs, and the band's live set included a few Pogues songs. First Ranken then Hunt left the band, the latter going on to become singer/songwriter in an indie band called Bish, whose self-titled debut album was released in 2001. Ranken later performed with a number of other bands, including Kippers, The Municipal Waterboard and, most recently,[when?] The Mysterious Wheels. In addition to The Vendettas, who Stacy freely admits lost all attraction when the Pogues reformed, Spider continued to write and record music with various bands, including the James Walbourne, Filthy Thieving Bastards, Dropkick Murphys and Astral Social Club.[citation needed]

Shane MacGowan founded Shane MacGowan and The Popes in 1992. They released two studio albums and broke up in 2006 once The Pogues' reunion had become official.[25][citation needed] His autobiography A Drink With Shane MacGowan, co-written with his journalist girlfriend Victoria Mary Clarke, was released in 2001. Jem Finer went into experimental music, playing a big part in a project known as "Longplayer", a piece of music designed to play continuously for 1,000 years without repeating itself. In 2005, Finer released the album Bum Steer with DB Bob (as DM Bob and Country Jem).

James Fearnley moved to the United States shortly before leaving the Pogues. He was a member of The Low And Sweet Orchestra and later the Cranky George Trio. Philip Chevron reformed his former band The Radiators, which briefly included former Pogue Cait O'Riordan. Terry Woods formed The Bucks with Ron Kavana, releasing the album Dancin' To The Ceili Band in 1994. Later, he formed The Woods Band, releasing the album Music From The Four Corners of Hell in 2002.[citation needed]

Reunion: 2001–2014

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The Pogues in Brixton, 2004

The band, including MacGowan, re-formed for a Christmas tour in 2001 and performed nine shows in the UK and Ireland in December 2004. In 2002 Q magazine named the Pogues one of the "50 Bands To See Before You Die". In July 2005, the band – again including MacGowan – played at the annual Guilfest festival in Guildford before flying out to Japan where they played three dates. Japan is the last place they all played together before MacGowan was originally sacked in 1991, and they have a strong following there.[citation needed]

The band played a date in Spain in September 2005. The reunited Pogues played dates in the UK with support from the Dropkick Murphys in late 2005, and re-released their 1987 Christmas classic "Fairytale of New York" on 19 December, which went straight in at No. 3 in the UK Singles charts on Christmas Day 2005, showing the song's enduring popularity. On 22 December 2005 the BBC broadcast a live performance (recorded the previous week) on the Jonathan Ross Christmas show with Katie Melua filling in for the late Kirsty MacColl, the first time the band had played the song live on television. The following week they performed live on the music show CD:UK.

Shane MacGowan wrote an article for The Guardian in 2006, detailing his thoughts on the current tour.[26]

The Pogues with Shane MacGowan, 11 October 2006 in San Diego

The band was awarded the lifetime achievement award at the annual Meteor Ireland Music Awards in February 2006. In March 2006, the band played their first US dates with Shane in over 15 years. The band played a series of sold-out concerts in Washington, D.C., Atlantic City, Boston, and New York. Later they played a series of sold-out gigs during mid-October 2006 in San Francisco, Las Vegas, and Los Angeles, and toured Glasgow, Manchester, Birmingham, London, Dublin, and Nottingham in mid-December 2006. They began a second US tour in March 2007, once again to coincide (and conclude) with a Roseland Ballroom New York City show on Saint Patrick's Day. 2007 proved to be their most prolific year of touring since the reunion with a tour of the west coast of America and eleven dates in the UK in December. The band also made festival appearances in the summer across Europe (Sweden, Belgium and Spain).[citation needed]

The Pogues on 1 August 2010 in Amsterdam

Guitarist Phil Chevron has stated there were no plans to record new music or release a new album. Chevron said that one way to keep enjoying what they were doing was to avoid making a new album, although he did say that there still is a possibility in the future for new music, but certainly not in the near future. Terry Woods has commented that MacGowan has been writing, and most of it sounds good. In 2008 the band released a box set Just Look Them Straight in the Eye and Say....POGUE MAHONE!!, which included rare studio outtakes and previously unreleased material.[27]

The band received mixed reviews of their performances though they continued to pull the crowds. Reviewing a March 2008 concert, The Washington Post described MacGowan as "puffy and paunchy," but said the singer "still has a banshee wail to beat Howard Dean's, and the singer's abrasive growl is all a band this marvelous needs to give its amphetamine-spiked take on Irish folk a focal point". The reviewer continued: "The set started off shaky, MacGowan singing of 'goin' where streams of whiskey are flowin,' and looking like he'd arrived there already. He grew more lucid and powerful as the evening gathered steam, through two hours and 26 songs, mostly from the Pogues' first three (and best) albums".[28] In December 2010 the Pogues (with support from Crowns) played what was billed as a farewell UK Christmas tour.

In March 2011, the Pogues played a six-city/ten-show sold out US tour titled "A Parting Glass with The Pogues" visiting Chicago, Detroit, Baltimore, Washington, D.C., Boston, and New York City (in that order), with only the last three cities getting more than one show. Stacy said "I think we are basically pretty certain this is the last tour of this type we'll be doing in the States. There might be the odd sort of one-off here and there. We're not saying this is absolutely, definitely the end".[29]

In August 2012, the Pogues embarked on a 30th Anniversary Summer 2012 8-city European Tour scheduled from 4 August 2012 at the Stockton Weekender Festival in Stockton-on-Tees, UK to 11 and 12 September 2012 at L'Olympia, Paris, two shows filmed and recorded for a live album and DVD released on 19 November 2012.[citation needed]

In March 2013, the Pogues released 30:30: The Essential Collection, a 2-disc set featuring 30 songs along with eleven videos. In October 2013, the Pogues released a box set titled Pogues 30 containing remastered versions of all of their studio albums plus a previously unreleased live album featuring Joe Strummer at the London Forum in December 1991.[30]

Guitarist Philip Chevron died on 8 October 2013 in Dublin, Ireland from oesophageal cancer, aged 56.[31]

In December 2013, the Pogues went on a four-date UK Christmas tour, followed by a few shows during spring and summer 2014.[b] The Pogues' last performance on British soil occurred on 6 July 2014 at the British Summer Time festival in London's Hyde Park.[32] The Pogues' last ever performance (to date) occurred on 9 August 2014 during the "Fête du bruit dans Landerneau" festival in Landerneau, Brittany, France.

Post-split: 2014–

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In a December 2015 interview with Vice magazine,[33] when asked whether the band were still active, Shane MacGowan said: "We're not, no", saying that, since their 2001 reunion happened, "I went back with [the] Pogues and we grew to hate each other all over again", adding, "I don't hate the band at all – they're friends. I like them a lot. We were friends for years before we joined the band. We just got a bit sick of each other. We're friends as long as we don't tour together. I've done a hell of a lot of touring. I've had enough of it".[32]

Long-time Pogues bassist Darryl Hunt died in London on 8 August 2022, at the age of 72.[34]

Shane MacGowan died in Dublin on 30 November 2023, at the age of 65.[35] The band's surviving members reunited to perform "The Parting Glass" at his funeral on 8 December 2023.[36] Following the death of MacGowan, "Fairytale of New York" went to No. 1 in Ireland on 1 December 2023.[37] On 13 December 2023, the Pogues reissued "Fairytale of New York" as a charity 7-inch single in tribute to MacGowan and to benefit the Dublin Simon Community, an organization fighting homelessness that MacGowan had supported.[38]

On 3 May 2024, surviving members Finer, Fearnley and Stacy performed Pogues songs with a variety of guest musicians on vocals at Hackney Empire, London, to celebrate the fortieth anniversary of Red Roses for Me.[39]

Members

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Timeline

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Discography

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Main article: The Pogues discography

Notes

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  1. ^ While often labelled as variously "English", "Anglo-Irish", "Hiberno-English" or simply "Irish", amongst others,[40][41][42][43][44] the band has described itself as "all English" in interviews[45] and band members such as Jem Finer and Philip Chevron, once the band's only Irish-born member, objected[46] to the "Irish" label to describe the band;[47][48] James Fearnley refers to the band as "for the most part English".[49] The band has faced accusations of cultural appropriation or insensitivity as an English band playing traditionally Irish music.[50][51][52][53][54] With the departure of Shane MacGowan in 1996, Darryl Hunt explained that, with the loss of the band's only founding member with Irish heritage, the Pogues "respected [...] everybody's culture" and took "energy and ideas" from Irish music as well as elsewhere.[55]
  2. ^ On 31 May 2014 at the Rock in Idro festival (Arena Joe Strummer) in Bologna, Italy; on 14 June 2014 at Thetford Forest (High Lodge), Suffolk, England, UK; on 26 June 2014 at Bristol Harbour, Bristol, England, UK; on 5 July 2014 at the British Summer Time Festival (Hyde Park), London, England, UK; on 27 July 2014 at the Fuji Rock Festival (Naeba Ski Resort), Niigata, Japan; on 9 July 2014 at the "Fête du bruit dans Landerneau" Festival, Landerneau, Brittany, France.

References

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  1. ^ "Music & Nightlife | Music Preview | The Pogues". Metroactive.com. Archived from the original on 19 January 2012. Retrieved 14 July 2011.
  2. ^ a b Phillips, Matt (30 November 2023). "Shane MacGowan, Songwriter Who Fused Punk and Irish Rebellion, Is Dead at 65". The New York Times. ISSN 0362-4331. Retrieved 10 December 2023.
  3. ^ a b "The Pogues". Rolling Stone. Archived from the original on 12 October 2013. Retrieved 11 November 2013.
  4. ^ Jones, Sam (21 December 2007). "He might be a drunk and a bum but he still has that most precious of musical things – a unique and special legacy". The Guardian. London. Archived from the original on 24 July 2008. Retrieved 25 May 2010.
  5. ^ Fearnley, James (2013). Here Comes Everybody: The Story of the Pogues. Faber & Faber. p. 54.
  6. ^ Joyce, James (1922). Ulysses. Project Gutenberg.
  7. ^ "Pogue Mahone". Green's Dictionary of Slang. Archived from the original on 11 December 2023.
  8. ^ "Radio 2 – Documentaries – Pogue Mahone: The Story of the Pogues". BBC. Archived from the original on 10 November 2011. Retrieved 14 July 2011.
  9. ^ "Shane MacGowan". Pogues.com. 25 December 1957. Archived from the original on 5 May 2012. Retrieved 14 July 2011.
  10. ^ Fearnley 2013, p. 57.
  11. ^ Fearnley 2013, p. 50.
  12. ^ "The Pogues Setlist on Oct 29 1982 at 100 Club, London, England". setlist.fm. December 2022. Retrieved 25 December 2022.
  13. ^ Fearnley 2013, p. 63-66.
  14. ^ a b Fearnley, James (23 October 2013). "The Pogues: 'We expected censure from the beginning'". The Guardian. Retrieved 4 October 2024.
  15. ^ "Quotes Falsely Attributed". The Churchill Centre. Archived from the original on 29 December 2014. Retrieved 21 December 2009.
  16. ^ BBC News, 16 December 2004. Pogues track wins Christmas poll Archived 19 December 2007 at the Wayback Machine. Retrieved 17 November 2005.
  17. ^ BBC News, 15 December 2005. Fairytale still the festive pick Archived 13 December 2007 at the Wayback Machine. Retrieved 19 December 2005.
  18. ^ Plunkett, John (18 December 2007). "Radio 1 U-turn over Pogues lyric ban". The Guardian. ISSN 0261-3077.
  19. ^ Mark Deming. "Peace and Love – The Pogues". AllMusic. Retrieved 2 August 2023.
  20. ^ The Pogues Womad festival Rinkou Park Yokohama Japan 30 aug 1991 Shanes last gig, 4 August 2019, retrieved 10 August 2023
  21. ^ Balls, Richard (2021). A Furious Devotion: The Life of Shane MacGowan. Omnibus Press. ISBN 978-1-78760-108-6.
  22. ^ allmusic (((The Pogues > Biography)))
  23. ^ Clerk, Carol (4 November 2009). Kiss My Arse: The Story of the Pogues. Omnibus Press. ISBN 978-0-85712-019-9.
  24. ^ Interview Archived 15 October 2009 at the Wayback Machine from The Irish World, 21 November 1997, Tonya Henderson.
  25. ^ Balls, Richard (2021). A Furious Devotion: The Life of Shane MacGowan. Omnibus Press. p. 378. ISBN 978-1-78760-108-6.
  26. ^ Shane MacGowan. "Shane MacGowan". The Guardian. London. Archived from the original on 20 December 2013. Retrieved 15 July 2024.
  27. ^ Deusner, Stephen (15 July 2008). "Pitchfork: The Pogues: Just Look Them Straight in the Eye and Say...Poguemahone!!". Pitchfork Media. Archived from the original on 10 April 2009. Retrieved 2 April 2009.
  28. ^ "Performing Arts". The Washington Post. 11 March 2008. Archived from the original on 12 October 2008. Retrieved 25 May 2010.
  29. ^ "The Pogues' Upcoming US Tour 'Will Be Their Last' | Live4ever". Live4ever.uk.com. 28 February 2011. Archived from the original on 9 October 2011. Retrieved 14 July 2011.
  30. ^ "The Medusa Fora • View topic – POGUES 30 / STRUMMER/POGUES". Pogues.com. Archived from the original on 13 October 2013. Retrieved 20 May 2014.
  31. ^ "Pogues guitarist Philip Chevron dies following long battle with cancer". The Independent. 8 October 2013. Archived from the original on 11 January 2020. Retrieved 11 January 2020.
  32. ^ a b "Shane MacGowan shows off his new teeth; calls it quits with the Pogues. (by Derek)". anglotopia.net. 29 December 2015. Retrieved 5 March 2016.
  33. ^ "'I Don't Like Christmas, It's Gross': An Interview with Shane MacGowan (by Leonie Cooper)". Vice Magazine. 24 December 2015. Archived from the original on 4 March 2016. Retrieved 5 March 2016.
  34. ^ "The Pogues' bass player Darryl Hunt dies aged 72". The Independent. 9 August 2022.
  35. ^ "Shane MacGowan: Pogues singer dies aged 65". BBC News. 30 November 2023. Retrieved 1 December 2023.
  36. ^ "The Pogues Reunite and Perform "The Parting Glass" at Shane MacGowan's Funeral". Consequence of Sound. 8 December 2023. Retrieved 9 December 2023.
  37. ^ O'Shea, Kerry (4 December 2023). ""Fairytale of New York" surges to number one after Shane MacGowan's death". Irish Central. Retrieved 13 December 2023.
  38. ^ Blistein, John (13 December 2023). "The Pogues Reissue 'Fairytale of New York' as Charity Single Honoring Shane MacGowan". Rolling Stone. Retrieved 13 December 2023.
  39. ^ Clarke, Patrick (5 May 2024). "The Pogues review – triumphant tribute to energy and poetry of band's early days". The Guardian. ISSN 0261-3077.
  40. ^ McAuliffe, Colm (20 October 2015). "Jem Finer of the Pogues: a millennium in music". Britain's Current Affairs & Politics Magazine. Archived from the original on 30 October 2019. Retrieved 30 October 2019.
  41. ^ "Beyond 'Eileen,' Ted Leo Lays Out Why Dexys Midnight Runners Are Worth Your Time". Billboard. 15 March 2019. Archived from the original on 26 May 2019. Retrieved 30 October 2019.
  42. ^ O’Hagan, Sean (14 January 2018). "Bruised, bloody but unbowed: the songs of Shane MacGowan will outlast us all". The Guardian. Archived from the original on 30 October 2019. Retrieved 30 October 2019.
  43. ^ Beresford, Jack (30 October 2019). "Christmas has come early this year with The Pogues limited edition whiskey". The Irish Post. Archived from the original on 30 October 2019. Retrieved 30 October 2019.
  44. ^ "The Pogues' Shane MacGowan's mother dies in car crash". ITV News. 2 January 2017. Archived from the original on 30 October 2019. Retrieved 30 October 2019.
  45. ^ "The Reformation of That Irish Band From England: The Pogues". The Pogues. Archived from the original on 22 November 2020. Retrieved 30 October 2019.
  46. ^ Clerk, C. (2009). Kiss My Arse: The Story of the Pogues. Music Sales. ISBN 978-0-85712-019-9. Archived from the original on 1 October 2021. Retrieved 30 October 2019.
  47. ^ "The Medusa Fora Pogues.com". Pogues.com. 15 October 2010. Archived from the original on 7 December 2019. Retrieved 30 October 2019.
  48. ^ "Irish and proud?". The Irish Times. 21 March 2013. Archived from the original on 13 August 2020. Retrieved 30 October 2019.
  49. ^ Fearnley, J. (2012). Here Comes Everybody: The Story of the Pogues. Faber & Faber. ISBN 978-0-571-25540-5. Archived from the original on 1 October 2021. Retrieved 30 October 2019.
  50. ^ Ruggiero, Bob (17 June 2014). "Pogues Accordionist Squeezes Out Anarchic Band's Story". Houston Press. Archived from the original on 30 October 2019. Retrieved 30 October 2019.
  51. ^ "English Heart". IMRO. 8 April 2011. Archived from the original on 30 October 2019. Retrieved 30 October 2019.
  52. ^ Morra, I. (2013). Britishness, Popular Music, and National Identity: The Making of Modern Britain. Routledge Studies in Popular Music. Taylor & Francis. p. 106. ISBN 978-1-135-04895-2. Archived from the original on 1 October 2021. Retrieved 30 October 2019.
  53. ^ Hesse, Josiah M. (16 March 2012). "Five worst American bands playing Irish music". Denver Westword. Archived from the original on 30 October 2019. Retrieved 30 October 2019.
  54. ^ Power, Ed (17 March 2010). "Celebrating St Patrick's Day? Don't do it with the Pogues ..." The Guardian. Archived from the original on 30 October 2019. Retrieved 30 October 2019.
  55. ^ Regan, Michael (28 April 1996). "Back On Track With Their English Style of Irish Insolence". Suburban & Wayne Times. Archived from the original on 9 August 2020. Retrieved 30 October 2019.
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